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After a week of readings for all 6 of our shortlisted plays for #APlayForIreland, Fishamble Literary Manager Gavin Kostick talks about the process behind the lastest stage of the project, what's next for the shortlisted playwrights, and how many pots of Tesco Finest coffee and tea he made over the 6 days.
Visit our A PLAY FOR IRELAND page for more information about this 2-year initiative, supported by Tesco Finest, with Transportation Partner Irish Rail. Thank you to our wonderful partner venues Draíocht, The Everyman, The Lime Tree Theatre/Belltable, Lyric Theatre Belfast, Pavilion Theatre, and Town Hall Theatre.   Fishamble has been busy this year with its major developmental project, A PLAY FOR IRELAND, wherein the writers created 30 new projects in collaboration with our partner venues: Belltable, Draíocht, The Everyman, Lyric Theatre, Town Hall Theatre, and Pavilion Theatre. A PLAY FOR IRELAND is supported by Tesco Finest, with transportation partner Irish Rail. Below, some of our playwrights share their thoughts and experiences during the first year of this initiative. Karen Cogan & Noelle Brown - The Everyman, Cork
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 | The Play for Ireland process is one that has been defined by a strong sense of community and network. As the sessions have progressed and the plays have been developed, there has always been an atmosphere of generosity and support not only in the individual venues but across the entire programme. Indeed it is now entirely possible to spot when two Play for Ireland playwrights are in the same room. One looks at the other with a sense of exhilarating terror, usually connoted by the raising of the eyebrows or the furrowing of the brow. The look is then in some way reciprocated by the other playwright and in this way, the tension is relieved for another few weeks. |
The Town Hall has been a wonderful venue for our group and we are always warmly received. So many of our country's greatest playwrights have migrated West in search of inspiration. We can only speculate as to how the works of Synge or Lady Gregory might have been bolstered by the luxury of a cup of tea and a half a twix on a quiet train journey before reaching the hallowed ground of Connaught. What has been particularly enjoyable about this process is meeting the other writers and discussing each other's work. It's always a nice feeling when your impetus to write is borne out of the excitement just to find out how your play ends. This process has given me a good few of those moments. Mind you, I still haven't a clue how it ends. Come back to me in a few weeks. (Exeunt, pursued by a deadline).
Clare McMahon - Lyric Theatre, Belfast
 | A Trip around Ireland - 1 My Play for Ireland, ‘The Gap Year’ sees three women in their 60s take a gap year around Ireland. And so, since July, I’ve been packing a bag, getting a train, bus or car, and visiting as many counties as I can. |
First up was Kerry. In our tiny Toyota Aygo my husband and I followed the trail of tourist packed buses around the breath-taking Ring of Kerry. I had been told of its powerful views but nothing could prepare me for how utterly amazing it was up there. Living in Belfast I’ve gotten used to the urban landscape, and the Hills around the city satisfy any longing for greenery, but to stand and see an expansive landscape full of mountains, cliffs, a plethora of greens, and lakes, lakes inside mountains, I was taken aback. Inspired. In my mind Ireland was a small country, with ups and downs, but standing looking across the Lakes of Killarney, I felt like a giantess witnessing the world.
I was also delighted to discover, in true Irish style, the ever-popular Avoca had set up camp on a sharp bend in the middle of the ring. American tourists crashed in and out as if this may be their last Latte before they journey back to the states. It was difficult to reconcile the inspirational effect of the view with the constant battering tourists seemed to be having on the place. A place of beauty had hundreds of buses rattling through it every day. It left me with a feeling of unease, and a hope to return in the depths of winter, to witness the place in solitude.
I was also delighted to discover, in true Irish style, the ever-popular Avoca had set up camp on a sharp bend in the middle of the ring. American tourists crashed in and out as if this may be their last Latte before they journey back to the states. It was difficult to reconcile the inspirational effect of the view with the constant battering tourists seemed to be having on the place. A place of beauty had hundreds of buses rattling through it every day. It left me with a feeling of unease, and a hope to return in the depths of winter, to witness the place in solitude.
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On the way to Dingle our car exhaust fell off. All the potholes had been too much for our 900cc car and the exhaust bracket disintegrated. As it was Saturday evening, we could not find a mechanic willing to help, ‘I’ve to be in Killarney for seven’ one said to my other half. I called my Dad. Even from Belfast he helped – the mystical power of Dads. He told us to try tying the exhaust back up to what was left of the bracket, that in the eighties he had driven home holding the exhaust on with a piece of cord laced through the window, he said everything would be fine, if we got to Dingle he’d get someone to come down for us on Monday. We went into a small shop and two wonderfully helpful women decided a metal coat hanger would work. Off home one went to get three hangers from her wardrobe. The other-half did the dirty work. I stood and hoped. We were saved, and drove off at a snail’s pace towards Dingle.
Dingle on Sunday morning was grim. Rain, sleet, wind and sunshine all within a few hours. We couldn’t complain. This was the first break in the summer heatwave and the farmers were delighted. We spent the day in the pub. Watching hurling and reading books. A proper summer holiday in Ireland.
Dingle on Sunday morning was grim. Rain, sleet, wind and sunshine all within a few hours. We couldn’t complain. This was the first break in the summer heatwave and the farmers were delighted. We spent the day in the pub. Watching hurling and reading books. A proper summer holiday in Ireland.
 | We finished off our trip to Kerry with a good Sunday dinner and a trad session. I was convinced to do a jig and so, much to the American’s delight, I tried to keep up with the ever-quickening three-piece troupe. On Monday morning we drove the ‘local’s road’ to a very friendly mechanic, who reattached the exhaust and charged us pittance. I regret we didn’t manage to convince his dog we were worth bothering with. Off home to Belfast we went. Having missed the marching for another year. One county down, thirty-one to go. |
Barry McStay - Draíocht, Blanchardstown
 | Being selected for APFI has been great for me. Writing is such a solitary process at the best of times, getting together every month or so to check in with Fishamble and the other writers at Draíocht, my venue, has been a relief. Getting to sit and chat with people who know EXACTLY what you’re going through, who share the same fears and hopes and more fears and a few more fears, it’s immensely reassuring. |
I suppose it’s a competitive process but it certainly doesn’t feel like it. And exchanging supportive tweets when one of us is bemoaning lack of inspiration, or is convinced the latest draft is bollocks - it feels like there’s a little family of us. Having Fishamble there behind us, with Jim and Gavin’s support and insight, has made it all possible. They’re like the dads we don’t want to disappoint, the teachers we have to make sure we get the work into on time, and the weird likeable uncles who probably aren’t actually uncles but that’s what we’ve always called them who play football in the back garden with us, beat us 11-0 and at the end we realise they’ve taught us a real life lesson somehow.
The whole APFI process has been the right balance of hands-off and hands-on. I wish writing every play I had this little family around me.
The whole APFI process has been the right balance of hands-off and hands-on. I wish writing every play I had this little family around me.
Shannon Yee – Lyric Theatre, Belfast
 | Now that the summer is over, the time has been flying swiftly by! It feels like only the other day in April when we all met for the first time as the 30 playwrights in Dublin at Fishamble’s offices, and now the December deadline for the Phase One final draft is around the corner! At the April meeting, I remember thinking , ‘’these plays are all so different, and all so interesting—I’d go see all of them!’ I don’t envy the task ahead for the judging team… |
By the end of December our A PLAY FOR IRELAND playwrights will submit full drafts of their plays. In Spring 2019, 6 plays will be shortlisted and optioned by Fishamble, and by Autumn 2019 a final play will be fully commissioned and tour to all 6 participating venues around the island of Ireland.
| Fishamble's A PLAY FOR IRELAND is supported by  Transportation partner  |
On Saturday 20 October, we held one of Fishamble's regular A PLAY FOR IRELAND workshops. Designer Niamh Lunny facilitated this workshop with the APFI playwrights at The Everyman, Cork, and has written a short post about what this group worked on together.
The Cork APFI playwrights are Noelle Brown, Lisa Carroll, Karen Cogan, John Doran, Bridgid Galvin, and Margaret McAuliffe.
The Cork APFI playwrights are Noelle Brown, Lisa Carroll, Karen Cogan, John Doran, Bridgid Galvin, and Margaret McAuliffe.
Margaret McAuliffe, Bridgid Galvin, John Doran, and Lisa Carroll at The Everyman, Cork APFI workshop on Set Design.
We had a great day in Cork at our A Play For Ireland workshop!
I explained the day would be a jigsaw of experience and we started by introducing ourselves as if everyone else in the room was blind.... It was a really interesting exercise for them & me!
Then I talked about design, inspiration, collaboration, non-linear process, and more practical elements of designing for stage. I showed lots of images & designs and had examples of where things had worked and where things did not go as planned.
In the second half of the morning I did 2 exercises with postcards - carefully pick one post card to tell a story about in 6 sentences, and then be given one to do the same thing with, then examining the differences between having a choice etc. Then I got them to build their story/script or idea in 3 dimensions (with LEGO!)
The idea is that working in 3 dimensions will trigger ideas that talking and writing will not.
We finished the morning with a look at a methodology called ‘scamper’ and a visualization exercise! In the afternoon we had one to one chats which tended towards being an extension of the work done in the morning.
Niamh Lunny
20 October 2018
I explained the day would be a jigsaw of experience and we started by introducing ourselves as if everyone else in the room was blind.... It was a really interesting exercise for them & me!
Then I talked about design, inspiration, collaboration, non-linear process, and more practical elements of designing for stage. I showed lots of images & designs and had examples of where things had worked and where things did not go as planned.
In the second half of the morning I did 2 exercises with postcards - carefully pick one post card to tell a story about in 6 sentences, and then be given one to do the same thing with, then examining the differences between having a choice etc. Then I got them to build their story/script or idea in 3 dimensions (with LEGO!)
The idea is that working in 3 dimensions will trigger ideas that talking and writing will not.
We finished the morning with a look at a methodology called ‘scamper’ and a visualization exercise! In the afternoon we had one to one chats which tended towards being an extension of the work done in the morning.
Niamh Lunny
20 October 2018
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Fishamble's A PLAY FOR IRELAND is supported by
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Trasportation partner
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Our Work So Far
Fishamble has been busy this year with its major developmental project, A PLAY FOR IRELAND, supported by Tesco Finest, wherein 33 writers have been creating 30 new projects. During the first part of the year, with the help of transportation partner Irish Rail, Fishamble Artistic Director Jim Culleton and Fishamble Literary Manager Gavin Kostick were criss-crossing the country (and Dublin) to our partner venues, Belltable, Draíocht, The Everyman, Lyric, Town Hall and Pavilion. There the writers worked flexibly, according to their own processes.
After a summer break, theatre professionals Director Annabelle Comyn, Designer Maree Kearns, Designer Niamh Lunny, Director Oonagh Murphy and Designer Saileog O'Halloran worked with the writers to offer different alternative insights and possibilities. This helped the writers further develop their plays, through visually sketching ideas and scenes. This work will continue through the autumn, culminating in a series of one-on-one meetings in November in Fishamble so as to support all the writers to produce a full draft of their work by the end of the year.
Fishamble is amazed and delighted by the standard of work so far and looks forward to sharing a selection with audiences in 2019.
After a summer break, theatre professionals Director Annabelle Comyn, Designer Maree Kearns, Designer Niamh Lunny, Director Oonagh Murphy and Designer Saileog O'Halloran worked with the writers to offer different alternative insights and possibilities. This helped the writers further develop their plays, through visually sketching ideas and scenes. This work will continue through the autumn, culminating in a series of one-on-one meetings in November in Fishamble so as to support all the writers to produce a full draft of their work by the end of the year.
Fishamble is amazed and delighted by the standard of work so far and looks forward to sharing a selection with audiences in 2019.
Feedback from APFI Venues
“Lime Tree Theatre and Belltable are delighted to be part of A Play For Ireland. We have been working with Fishamble on making sure the participating playwrights receive a stipend to help cover their costs, as well as providing meeting space as benefit in kind. The process so far has been very rewarding to the playwrights and we are looking forward to continuing to work with Fishamble in the next stages of APFI and to the final production.”
Marketa Dowling, Programme Manager
Belltable, Limerick
“Draíocht is delighted to be working in a developmental way with our colleagues in Fishamble on the A Play For Ireland Project. This two year ambitious project has been supporting writers in a considered way through mentoring and peer support at its core, as well as providing audiences with the opportunity to see a fully produced piece that will reflect and interrogate contemporary Ireland. We welcome the opportunity to work in this way not only with Fishamble but with the 6 writers who are working from Draíocht.”
Emer McGowan, Director
Draíocht, Blanchardstown
This partnership represents a clear fulfilment of The Everyman’s remit under its artistic policies. Fishamble are at the forefront of production and touring of new Irish writing, and have a long association with the Everyman and its audiences, making them an ideal partner in every way. We hope that this partnership would ultimately help the Everyman deliver upon its artistic goals: developing the skills of several aspiring playwrights and offering a major new Irish work to audiences made in collaboration with a number of partners.”
Julie Kelleher, Director
The Everyman, Cork
“A Play For Ireland is an important national programme, which is connecting artists and venues North and South of the Border. The project not only is creating an industry collaboration but it is connecting local artists with their professional theatres and encouraging the citizens of Ireland to express themselves through theatre as well as engaging the public in making plays, and engaging with audiences throughout the Ireland and Northern Ireland.”
Jimmy Fay, Executive Producer
Lyric Theatre, Belfast
“Pavilion Theatre is delighted to be involved with our friends at Fishamble, on their ambitious initiative ‘A Play for Ireland’. ‘A Play for Ireland’ forms part of our continued commitment to support artists and their work and it is a real privilege to be part of this process alongside Fishamble. Having already welcomed five very talented playwrights to work in our Gallery Space throughout 2018, we look forward to witnessing the progression and development of their work which we would hope to programme at a later date.”
Hugh Murray, Director
Pavilion Theatre, Dún Laoghaire
“Fishamble’s A Play for Ireland programme has been a fantastic opportunity for Town Hall Theatre to engage with a focused group of playwrights as they develop their new plays, and we hope to see this group continue to be a part of Galway’s creative community in the future. We are delighted to be part of this island-wide initiative and very much look forward to seeing the outcomes throughout 2019, and beyond!”
Fergal McGrath, Theatre Manager
Town Hall Theatre, Galway
Marketa Dowling, Programme Manager
Belltable, Limerick
“Draíocht is delighted to be working in a developmental way with our colleagues in Fishamble on the A Play For Ireland Project. This two year ambitious project has been supporting writers in a considered way through mentoring and peer support at its core, as well as providing audiences with the opportunity to see a fully produced piece that will reflect and interrogate contemporary Ireland. We welcome the opportunity to work in this way not only with Fishamble but with the 6 writers who are working from Draíocht.”
Emer McGowan, Director
Draíocht, Blanchardstown
This partnership represents a clear fulfilment of The Everyman’s remit under its artistic policies. Fishamble are at the forefront of production and touring of new Irish writing, and have a long association with the Everyman and its audiences, making them an ideal partner in every way. We hope that this partnership would ultimately help the Everyman deliver upon its artistic goals: developing the skills of several aspiring playwrights and offering a major new Irish work to audiences made in collaboration with a number of partners.”
Julie Kelleher, Director
The Everyman, Cork
“A Play For Ireland is an important national programme, which is connecting artists and venues North and South of the Border. The project not only is creating an industry collaboration but it is connecting local artists with their professional theatres and encouraging the citizens of Ireland to express themselves through theatre as well as engaging the public in making plays, and engaging with audiences throughout the Ireland and Northern Ireland.”
Jimmy Fay, Executive Producer
Lyric Theatre, Belfast
“Pavilion Theatre is delighted to be involved with our friends at Fishamble, on their ambitious initiative ‘A Play for Ireland’. ‘A Play for Ireland’ forms part of our continued commitment to support artists and their work and it is a real privilege to be part of this process alongside Fishamble. Having already welcomed five very talented playwrights to work in our Gallery Space throughout 2018, we look forward to witnessing the progression and development of their work which we would hope to programme at a later date.”
Hugh Murray, Director
Pavilion Theatre, Dún Laoghaire
“Fishamble’s A Play for Ireland programme has been a fantastic opportunity for Town Hall Theatre to engage with a focused group of playwrights as they develop their new plays, and we hope to see this group continue to be a part of Galway’s creative community in the future. We are delighted to be part of this island-wide initiative and very much look forward to seeing the outcomes throughout 2019, and beyond!”
Fergal McGrath, Theatre Manager
Town Hall Theatre, Galway
Fishamble's A PLAY FOR IRELAND is supported by
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