Gavin Kostick is a playwright, literary manager and independent dramaturg.
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His works have been produced nationally and internationally. Favourite works for Fishamble include The Ash Fire, The Flesh Addict, The End of The Road and Invitation to a Journey (with CoisCeim and Crash Ensemble). The Leap is Gavin’s first play for children.
Further works include This is What We Sang for Kabosh, Fight Night, The Games People Play and At the Ford for Rise Productions and Gym Swim Party with Danielle Galligan in co-production with the O’Reilly Theatre. He wrote the libretto for the opera The Alma Fetish composed by Raymond Deane, performed at the National Concert Hall. As a performer he performed Joseph Conrad’s Heart of Darkness: Complete, a six hour show for Absolut Fringe, Dublin Theatre Festival and the London Festival of Literature at the Southbank.
Gavin is currently the literary manager of Fishamble: The New Play Company, a tutor in playwriting and dramaturgy in both The Lir Academy and Trinity College Dublin as well as being a core mentor on the Tenderfoot Transition Year programme for young writers at the Civic Theatre.
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Particular favourite projects that Gavin has initiated and delivered with Fishamble include Show in a Bag (with Dublin Fringe and The Irish Theatre Institute), The New Play Clinic, The Dublin Fringe New Writing Award, Tiny Plays for Ireland and A Play for Ireland.
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Both for Fishamble, and as an independent dramaturg, Gavin’s projects and works he has supported have gained significant national and international award recognition including amongst others Irish Times Irish Theatre Awards, BBC Stewart Parker Trust, Zebbie Awards, Dublin Fringe Awards, Business to Arts, Olivier, Scotsman Fringe First, Herald Angel and Archangel and New York Critics’ Pick.

His own plays have also received similar national and international award recognition. Gavin has recently completed a new version of The Odyssey, supported by Kilkenny Arts Festival, ClassicsNow.

Jim Culleton is the Artistic Director of Fishamble: The New Play Company, for which he has directed productions on tour throughout Ireland, UK, Europe, Australia, New Zealand, Canada and the US. His productions for Fishamble have won Olivier, The Stage, Scotsman Fringe First, and Irish Times Best Director awards.

Jim has also directed for the Abbey, the Gaiety, the Belgrade, 7:84 Scotland, Project, Amharclann de hÍde, Tinderbox, Passion Machine, the Ark, Second Age, Dundee Rep, CoisCéim/Crash Ensemble/GIAF, Frontline Defenders, Amnesty International, Little Museum of Dublin, Fighting Words, Soho Theatre, Scripts Festival, and Baptiste Programme.  He has directed audio plays for Audible, BBC, RTÉ Radio 1, and RTÉ lyric fm. He has directed for Vessel and APA (Australia), TNL (Canada), Solas Nua, Mosaic, and Kennedy Center (Washington DC), Odyssey (LA), Origin, Irish Arts Center, New Dramatists, and 59E59 (Off-Broadway), as well as for Trafalgar Theatre Productions on the West End, and IAC/Symphony Space on Broadway.  Jim has taught for NYU, NUI, GSA, Uversity, the Lir, Villanova, Notre Dame, UM, UMD, JNU, and TCD.

Catherine designs for Theatre, Opera and Dance. She has designed The Treaty and Embargo for Fishamble Theatre Company. Her most recent work is Portia Coughlan (The Abbey Theatre) iGirl (The Abbey Theatre). Elektra (Irish National Opera) Walls and Windows (The Abbey Theatre) 14 Voices (The Abbey Theatre), Transmission (Little Wolf) for DFF 2020; Much Ado about Nothing (Rough Magic Theatre Company); Näher . . . nearer, closer, sooner (Liz Roche Dance Company); The Return of Ulysses (Opera Collective Ireland); and The Plough and the Stars (Lyric Hammersmith/Abbey Theatre).

She designed Girl Song (United Fall); 12 Minute Dances, Totems (Liz Roche Dance Company); Owen Wingrave (Opera Collective Ireland); Acis and Galatea (Opera Theatre Company); The Importance of Nothing (Pan Pan Theatre Company); and Owen Wingrave (Opera Bastille, Paris, 2016). She has designed many productions for The Abbey Theatre including The Plough and the Stars (Irish Times Theatre Award nomination 2017), Our Few and Evil Days (Irish Times Theatre Award nomination 2015), Henry IV Part I (Irish Times/ESB Theatre Award nomination 2007). For The Gate, she has designed Romeo and Juliet (Irish Times Theatre Award nomination 2016) and The Threepenny Opera.

Other work includes Breaking Dad (Landmark Productions, Irish Times Theatre Award nomination 2015); and Dogs (Emma Martin Dance, Winner Best Production and Best Design for ABSOLUT Fringe Festival 2012).

Mark Galione’s designs in Ireland include works for Irish Modern Dance Theatre, CoisCéim, Dance Theatre of Ireland, The Peacock, Fíbín, Hands Turn, Classic Stage Ireland, Barabbas, Vesuvius, The Derry Playhouse, The Ark, Peer to Peer, Gonzo, Theatre Lovett, Second Age Theatre Company, Barnstorm, Riot and I’m Your Man for THISISPOPBABY and Fishamble: The New Play Company most recently Swing and Inside The GPO.

Recent TV includes Jack Lukeman 27 Club, All Ireland Schools Talent Search, TG4 – Country Music Legends and The All Porter Christmas Show RTE2. Mark is a staff Lighting Designer at High Res Lighting.
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