New Play Clinic
The New Play Clinic is Fishamble’s ongoing initiative to support the dramaturgical development of new plays for production in Ireland.
“We passionately feel that the success [was] in no small way due to our involvement once again in the New Play Clinic…We totally reimagined how we approached this piece as part of the New Play Clinic and this proved vital in how we made the completed piece.”
Louise Lowe, ANU
Do you have a new dramatic work lined up for production? Would you like help and support in developing your script in advance of rehearsal? The New Play Clinic has supported dozens of new productions for Irish audiences and offers a flexible package for each project.
The New Play Clinic is now closed for 2025 and will reopen in Spring 2026.
The New Play Clinic is supported by the Arts Council / An Chomhairle Ealaíon. The NPC supports plays which have definite production plans, at a stage where dramaturgical help can most benefit the process. Every participating theatre artist, who benefits from the initiative, is paid for his/her/their participation, and receives support from Gavin Kostick and/or another dramaturg as appropriate.
What is on offer?
The objective of the New Play Clinic is to help maximise the potential of new plays which are scheduled for production in Ireland through practical dramaturgical support. Fishamble seeks to work flexibly with artists in the way most suited to the development of their new work for production. Workshops can be delivered live or online.
Support through the scheme is likely to include:
- Fishamble hosting a 1-3 day workshop to aid script development
- Professional rates of pay for key artistic contributors (eg: writer, director, actors) for that workshop period
- Provision of dramaturgical support
- If participants need to travel to Dublin or the New Play Clinic is being delivered outside Dublin, the scheme may support travel and accommodation
- further support for artists with disability, to facilitate engagement with the process.
The artists selected may request the input of an independent dramaturg, through discussion with Fishamble, or choose to work with Gavin Kostick (Literary Manager, Fishamble).
Similarly, the artists may provide performers connected with the project, or may seek Fishamble’s guidance in casting actors for the workshop.
Who is it for?
- Theatre makers working as individuals on a specific project
- Two or more writers working together or devising in some other manner
- Professional performance companies that are developing new work to production
- Presenting organisations that are programming new works and are actively engaged with their development for production
The New Play Clinic is not intended for:
- New plays in development for presentation outside Ireland
- Projects for which there is no production yet planned, or production dates confirmed
- Companies/organisations that already have dramaturgical/similar resources
- To replace rehearsal, provide non-dramaturgical support for production, or in any way to off-set costs or replace other necessary elements of the production
How to apply
The statement of interest should briefly include:
- The nature of the project, including its current status (200 words max)
- The timeline of development and intention for presentation, including confirmed commitments to produce (100 words max)
- A statement on the current status of the play, with a sample of up to 8 pages of script/treatment/source material or similar attached
- The expectation of what would be gained from engaging with Fishamble in this process, and how the New Play Clinic would best serve the artists involved (100 words max)
- A brief biography (which may include clickable links) of the key people/organisations involved
- A brief budget outline for the production, including a note of how much of the projected income is confirmed (small excel sheet or similar, one page max)
- Statement of receipt of Arts Council or other funding, e.g. local authority and, if so, under which scheme
Please keep the statement of interest clear, concise and free from jargon. Fishamble really wants to know the story of the project so far, who you are, what you’re up to and how the scheme can be of most use.
Other things to note
- Previous participants of the New Play Clinic may apply again
- Public acknowledgement of the process is required at the production stage with the following statement: “Play development has been supported by Fishamble: The New Play Company’s New Play Clinic”.
- All participants will be required to fill out feedback forms evaluating the schemeIf you encounter problems with the online submission system, please email Gavin on gavin@fishamble.com
Previous participants
The Queer Messiah by Dan Colley and Cast
The Three Sisters adapted by Ciara Elizabeth Smyth
Good With Faces by Oisín Kearney
Leonora by Signe Lury
Numbered Be Our Days by Andrea Stolowitz
Raising Her Voice by Pea Dinneen
The Revenger’s Tragedy adapted by Kevin Keogh
Artist Support for Beyond the Pale Festival
Afterwards by Janet Moran
Konstantin by Lauren Jones
Amelia by Deirdre Roycroft
Baby by Lianne O’Hara
Happiness Then by Elizabeth Moynihan
Artist Support for Beyond the Pale Festival
Ob Gob by Roderick Ford
Quake by Janet Moran
Wrens by Dan Colley and Cast
Piglet by Ultan Pringle
Kinder Eggs by Hazel Clifford and Finbarr Doyle
Warrior by Karen Egan
Artist Support for Beyond the Pale Festival
Old Boy by Liam Halligan
The Táin by Michael Patrick & Oisin Kearney
Pucked by Cathal Ryan
Purgatory after Yeats by Dara Ó Cairbre
No.53 The Musical by Fionn Foley, Arthur Riordan, & Jeda De Bri
Lost Lear by Dan Colley
LieLow by Ciara Elizabeth Smyth
The Perfect Immigrant by Samuel Yakura
Allie down the Boghole by Megan McDonell
What time it suits by Harry Butler
Cash Point Meet by Niamh Murphy
Narcissus by Wiliam Dunleavy
Octopus by Noelle Brown
Bang! by Michelle Read
The Life of a Secret Nun by Sarah Kinlen
Fluff by Shir Madness & Lianne O’Hara
When I Was Young I Never Talked to Clouds by Emma Finegan & Annachiara Vispi
Clearance by Brid Ni Chomain
Clearance by Siofra O’Meara
Waterford Crystal by Lisa Nally
Potter’s Field by Ross Gaynor
Landlines by Ciara Stagg
The Lodge House by Katie McCan
FM by Finbarr Doyle & Jeda De Bri
You stopped their Hearts by Amy Kidd
Clonbanin Ambush by John Grogan
Anseo Anois by Amy Kidd
LoveSong by Sean Millar
The Spider’s House by Roderick Ford
New Fish: A Musical by Grace O’Malley
Girl Play by The Morrigu Productions
Compostela by Miriam Needham
Everything I (Don’t) Know About Autism by Jody O’Neill
The Lost O’Casey by ANU
Madam Nonie’s Monstrous Proposal by Paul Maher
Wringer by Stewart Roche
Remember by Sorcha Fox
A Holy Show by Janet Moran
Kiss Kiss / Slap Slap by Chaos Factory
Who Will Separate Us? by Tom Noone
Nothing But A Toerag by Aisling O’Mara/Taking the Biscuit
So, When Do We Begin? by Seanan McDonnell
Vessell by Laura Wyatt-O’Keefe
Wringer by Stewart Roche
All That We Found Here by Donagh Mark Humphries
The Morning After the Life Before by Gúna Nua/Ann Blake
The Sin Eaters by ANU
Pupa by Emma Fisher
Punt by Honest Arts
All Honey by Ciara Elizabeth Smyth
I See You by Amy de Bhrún
Coast by Red Bear Productions
Creaking by Noelle Brown
Cyclops by Peter Reid
Tryst by Sickle Moon Productions
Beryl and Eejit by Billie Traynor
Eggsistentialism by Joanne Ryan
Foxy by Noelle Brown
The Passengers by Polish Theatre Ireland
The Poor Little Boy With No Arms devised by Mikel Murfi and One Duck
Separation by Wildebeest Theatre Company
The Windstealers by Jane Madden
Beetlefang produced by The Ark
The Colleen Bawn Trails by Joan Sheehy
Levin & Levin by Aideen Wylde
On City Water Hill by Philip St John
Some Flood produced by Devious Theatre
Thirteen by ANU
Tracer by Stuart Roche
Vardo by ANU
A Portrait of the Artist as a Youngish Woman by Sarah Kinlen
Ciaran’s Aisling by Darren Yorke
Fishes by David Fennelly
God Has No Country by Donal Courtney
In Dog Years I’m Dead by Kate Heffernan
Lambo by David Folan
Market Research This by Shaun Dunne
Narf by Caitriona Daly
Postscript by Noelle Brown and Michelle Forbes
Strapped by Niamh Creely
Under Pressure by Rachel Fehily
Boys of Foley Street by Anu Productions
Clear The Air by Hugh Travers
Green Street by Percolate
The Sylvia by Philip St John
Beyond The Brooklyn Sky by Mick Mulcahy, directed by Peter Sheridan
Josie and Kate by Christiane O’Mahony
Laundry by Anu Productions
Punctured by John Morton/Devious Theatre Company
Story/True by Megan Riordan/Making Strange Theatre Company
The Goddess of Liberty by Karen Ardiff, directed by Paul Meade
Neuropolis by Gary Duggan and Gavin Logue
Silent by Ray Scannell
Starman Fisher by Deirdre Roycroft
Untitled Work In Progress by David Farrell