Caitríona Daly is a writer from Dublin. Her plays include Panned, Test Dummy (Irish Times Theatre Award Best New Play Nominee 2016) and Normal (Dublin Fringe 2017: Fishamble New Writing Award Nominee and First Fortnight Nominee).

She was a participant in Six in the Attic, an Irish Theatre Institute initiative, from 2018-2019 and a participant on the inaugural Abbey Works programme in 2019. She is currently under commission with The Abbey Theatre and Fishamble: The New Play Company.

Jim Culleton is the Artistic Director of Fishamble: The New Play Company, for which he has directed productions on tour throughout Ireland, UK, Europe, Australia, New Zealand, Canada and the US. His productions for Fishamble have won Olivier, The Stage, Scotsman Fringe First, and Irish Times Best Director awards.

Jim has also directed for the Abbey, the Gaiety, the Belgrade, 7:84 Scotland, Project, Amharclann de hÍde, Tinderbox, Passion Machine, the Ark, Second Age, Dundee Rep, CoisCéim/Crash Ensemble/GIAF, Frontline Defenders, Amnesty International, Little Museum of Dublin, Fighting Words, Soho Theatre, Scripts Festival, and Baptiste Programme.  He has directed audio plays for Audible, BBC, RTÉ Radio 1, and RTÉ lyric fm. He has directed for Vessel and APA (Australia), TNL (Canada), Solas Nua, Mosaic, and Kennedy Center (Washington DC), Odyssey (LA), Origin, Irish Arts Center, New Dramatists, and 59E59 (Off-Broadway), as well as for Trafalgar Theatre Productions on the West End, and IAC/Symphony Space on Broadway.  Jim has taught for NYU, NUI, GSA, Uversity, the Lir, Villanova, Notre Dame, UM, UMD, JNU, and TCD.

Eva  Scanlan is the Executive Director at Fishamble: The New Play Company.

Formerly producer at Fishamble, recent productions include Fight Night by Gavin Kostick (2025), Taigh/Tŷ/Teach, a trilingual co-production with partners in Scotland and Wales (2024), In Two Minds by Joanne Ryan (2023), Heaven by Eugene O’Brien (2022), Outrage by Deirdre Kinahan (2022), Duck Duck Goose by Caitríona Daly (2021), The Treaty by Colin Murphy (2021), Embargo by Deirdre Kinahan (2020), The Alternative by Michael Patrick and Oisín Kearney (2019), Rathmines Road by Deirdre Kinahan (2018), On Blueberry Hill by Sebastian Barry (2017-2021), Inside The GPO by Colin Murphy (2016) and Fishamble’s award-winning plays by Pat Kinevane King, Before, Silent, Underneath and Forgotten, and many other productions on tour in Ireland and around the world.

Eva produced The 24 Hour Plays: Dublin at the Abbey Theatre in Ireland (2012-2026), in association with The 24 Hour Plays, New York as a fundraiser for Dublin Youth Theatre. She has worked on The 24 Hour Plays on Broadway and The 24 Hour Musicals at the Gramercy Theatre in New York. Previously, she was Producer at terraNOVA Collective in New York (2012-2015) and has worked on theatre productions, events and conferences at the Bushwick Starr, 59E59 Theaters, New Ohio Theatre, the New School, the Park Avenue Armory, and Madison Square Garden.

Paul’s theatre credits include: Tiny Plays for Ireland, Strandline and True Believers (Fishamble, Dublin); The Visiting Hour, The Snapper, Hamlet, (Gate Theatre, Dublin); Sadie, Shirley Valentine, Double Cross, (Lyric Theatre, Belfast); Happy Days, Blood in the Dirt, Postcards from The Ledge, The Walworth Farce (Landmark, Dublin); Walls and Windows, The Great Hunger, Last Orders at the Dockside, Citysong, On Raftery’s Hill (Abbey Theatre, Dublin); Love, Love, Love (Lyric Hammersmith); I Think We Are Alone (Frantic Assembly, UK Tour); Lady Windermere’s Fan (Classic Spring, London); A Streetcar Named Desire, Twelfth Night and The Hudsucker Proxy (Liverpool Everyman & Playhouse); Cyprus Avenue (Abbey, Dublin/Royal Court/Public, NYC); Harvest (Royal Court); The Caretaker (Bristol Old Vic); Incantata, Trad, The Matchbox (Galway International); Far Away, Sacrifice at Easter (Corcadorca, Cork); The Gaul (Hull Truck Theatre); Blue/Orange, Tribes (Crucible, Sheffield), Novecento (Trafalgar Studios, London).
​Opera and Dance: 20 Shots of Opera (Irish National Opera Film); Elektra and The Marriage of Figaro (Irish National Opera); The Return of Ulysses (Opera Collective, Ireland); Falstaff (Vienna Staatsoper); Dialogues des Carmelites (Grange Park Opera UK); Powder Her Face (Teatro Arriaga, Bilbao); The Fairy Queen (RIAM Dublin); Maria de Buenos Aires (Cork Opera House); Wake (Nationale Reisopera, Netherlands); Lost (Ballet Ireland); Sama & Flight (Rambert, London); No Man’s Land (English National Ballet); Cassandra, Hansel and Gretel (Royal Ballet, London).

Carl has worked on numerous theatre productions, working with venues and companies including Fishamble: The New Play Company, The Gaiety, The Abbey, The Gate, Rough Magic, Landmark, Decadent, The Lyric Theatre, Theatre Lovett, ANU Productions, HOME Manchester,  Prime Cut Productions, HotForTheatre, Speckintime, Guna Nua and Peer to Peer among others. He has been nominated three times for the Irish Times Theatre Award for Best Sound Design.

He also composes music and sound design for radio, TV and video games. He was composer and sound designer for Mr Wall on RTÉJr which was shortlisted for an IMRO Radio Award in the 2018 drama category. Game titles include Curious George, Curious about Shapes and Colors, Jelly Jumble, Too Many Teddies, Dino Dog and Leonardo and His Cat. TV credits include sound design for 16 letters (Independent Pictures/RTE) and SFX editing and foley recording for Centenary (RTE).

Saileóg O’Halloran ‘s Theatre credits include: The Wakefires (ANU Productions & Cork Midsummer), Dances Like a Bomb (Junk Ensemble), Duck Duck Goose (Fishamble), The Secret Space (ANU Productions), To The Lighthouse (Cork Everyman & Hatch Productions), The Great Hunger (Abbey Theatre), The Fall of the Second Republic (Abbey Theatre & Corn Exchange), Danse Macabre (Macnas 2019), Becketts Room (Dead Centre), The Alternative (Fishamble), The Bluffers Guide to Suburbia (Cork Midsummer & DTF 2019), The Anvil (ANU & Manchester International Festival),
The Misfits (Corn Exchange), Trial of the Century’s (Dublin Fringe 2018), Macnas 2018, Copperface Jacks the Musical (Verdant), GPO1818 (Fishamble), The Half of It (MOMMO), The Shitstorm (Dublin Fringe), The Seagull (Corn Exchange) To Hell In A Handbag (Show In A Bag/Tiger Dublin Fringe), Town is Dead (Peacock Theatre), Embodied (Dublin Dance Festival), Shibboleth (Peacock Theatre), Chekhov’s First Play (Dead Centre), Thirteen, Irish Times Judges Special Award (ANU Productions) and Wake (Chamber Made Opera).

Eimear Farrell has both a Costume and Fashion background including design and styling for independent theatre and film productions.

Eimear has lent her skills in Costume design and Wardrobe Supervision for numerous theatre, TV and film companies in Dublin and around the world. She has also worked in a number of different design and costume roles on many award winning short films and music videos.

Over the last decade she has worked along side the Abbey Theatre and Supervised large tours for companies such as Riverdance in Europe, China, America, Japan.

Bryan trained at the Samuel Beckett Centre at Trinity College Dublin.

Noteworthy performances include My Foot/My Tutor with Articulate Anatomy (Best Male Performance at Dublin Fringe Festival 2004), Barabbas Theatre Company’s Johnny Patterson: The Singing Irish Clown (Irish Times Theatre Award Best Supporting Actor 2009) and regularly performs his one man show Beowulf: The Blockbuster which originated as a Show In A Bag and has toured Ireland, Scotland, Wales, France, Australia, New York and was the number one success of the Edinburgh Fringe 2014 winning the STAGE Award for Acting Excellence.

Other notable productions include The President at The Gate Theatre with Olwen Fouèrè and Hugo Weaving, Act Without Words 2 by Samuel Beckett for Company SJ which performed at the Barbican in London and the Centre Culturel Irlandais in Paris. He also regularly performs in a two hander adaptation of Charles Dickens’ A Christmas Carol with Aaron Monaghan nationally, at The Ark and The Pavilion for Christmas 2023. He played Quasimodo in Angela’s Ashes: The Musical in 2017 & 2019 and Lenehan in the returning production of James Joyce’s ULYSSES at The Abbey Theatre in Oct 2017 & July 2018 (Nominated for Irish Times Theatre Award Best Ensemble). Other recent productions include TARRY FLYNN with Livin’ Dred, (Nominated for Irish Times Theatre Award Best Ensemble), Beowulf : The Blockbuster, 14 Voices From The Bloodied Field and The Long Christmas Dinner at The Abbey Theatre in Dec 2021 & 2022 (Nominated for Irish Times Theatre Award Best Ensemble). He recently performed at DTF 2023 followed by an Irish Tour of The Boy Who Talked To Dogs by Amy Conroy as a SLINGSBY/Draiocht co-production which played at the 2021 Adelaide Festival and toured Australia for 2022 prior to its Irish 2023 tour. Bryan played DAD in Jody O Neil’s GRACE with Graffiti Theatre for Cork Midsummer Festival, Baboro Arts Festival For Children and in Dublin Theatre Festival.

As director Bryan has directed The Whispering Chair for Livin’ Dred in 2022, Fight
Night, and The Games People Play for RISE productions written by Gavin Kostick which
won Best Actor and the Bewleys Little Gem Award at Dublin Fringe 2010 and Best New Play at the Irish Times Theatre Awards 2013 respectively.

As Movement Director recent productions include Considering Matthew Shepard at the NCH, Fishamble’s DUCK, DUCK, GOOSE, Druid’s Beauty Queen of Leenane, Umbrella’s Glowworm, Fishamble’s Inside The GPO, Yew Tree’s Alone It Stands, Pat Moylan’s Stones In His Pockets, Tarry Flynn & The Skriker at the Lir Academy, BrokenCrow’s Levin & Levin, at the Abbey Fool For Love, The Wake and for Second Age Hamlet and Macbeth.

For RTE Bryan has appeared on RTE Jr’s The Beo Show teaching drama to young children, written four short stories for the Tell Me A Story series, written and performed a Christmas short story for the Cór Na Nóg Christmas Concert and directed Fight Night for RTE’s Radio Drama season. He has been cast in Series Two of Tim Burton’s WEDNESDAY for Netflix in 2024. Bryan has taught Physical Theatre at The Lir Academy of Dramatic Art, NYU Tisch School of the Arts and Accademia D’ell Arte, Arezzo, Tuscany.

Steph Ryan has worked in theatre for many years and with many companies including CoisCéim, Rough Magic, Abbey/Peacock Theatres, OTC and INO to name a few.

Work with Fishamble includes: Handel’s Crossing, The End of The Road, Noah and the Tower Flower, Spinning, Little Thing Big Thing, Invitation to a Journey (a co-production with CoisCéim, Crash Ensemble and GIAF); Mainstream, Rathmines Road, On Blueberry Hill, Embargo and Pat Kinevane’s Forgotten, Silent, Underneath, Before and KING, and Duck Duck Goose.

She is delighted to be back working with Fishamble on In Two Minds.

Gavin Kostick is a playwright, literary manager and independent dramaturg.
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His works have been produced nationally and internationally. Favourite works for Fishamble include The Ash Fire, The Flesh Addict, The End of The Road and Invitation to a Journey (with CoisCeim and Crash Ensemble). The Leap is Gavin’s first play for children.
Further works include This is What We Sang for Kabosh, Fight Night, The Games People Play and At the Ford for Rise Productions and Gym Swim Party with Danielle Galligan in co-production with the O’Reilly Theatre. He wrote the libretto for the opera The Alma Fetish composed by Raymond Deane, performed at the National Concert Hall. As a performer he performed Joseph Conrad’s Heart of Darkness: Complete, a six hour show for Absolut Fringe, Dublin Theatre Festival and the London Festival of Literature at the Southbank.
Gavin is currently the literary manager of Fishamble: The New Play Company, a tutor in playwriting and dramaturgy in both The Lir Academy and Trinity College Dublin as well as being a core mentor on the Tenderfoot Transition Year programme for young writers at the Civic Theatre.
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Particular favourite projects that Gavin has initiated and delivered with Fishamble include Show in a Bag (with Dublin Fringe and The Irish Theatre Institute), The New Play Clinic, The Dublin Fringe New Writing Award, Tiny Plays for Ireland and A Play for Ireland.
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Both for Fishamble, and as an independent dramaturg, Gavin’s projects and works he has supported have gained significant national and international award recognition including amongst others Irish Times Irish Theatre Awards, BBC Stewart Parker Trust, Zebbie Awards, Dublin Fringe Awards, Business to Arts, Olivier, Scotsman Fringe First, Herald Angel and Archangel and New York Critics’ Pick.

His own plays have also received similar national and international award recognition. Gavin has recently completed a new version of The Odyssey, supported by Kilkenny Arts Festival, ClassicsNow.

Chandrika Narayanan-Mohan is a Dublin-based writer, performer and cultural consultant from India, who has also lived in North America, Sweden, Turkey, and the UK.

O’Doherty Communications is led by Sinead O’Doherty (Macdonald) who has over 20 years experience working with some of the biggest names and most prestigious events in the arts and entertainment sector.

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