Alyson Cummins

Alyson studied Architecture at University College Dublin and trained at Motley theatre design school in London. She was a finalist in the Linbury biennial prize for stage design.

Designs for stage include: Breaking; In Two Minds Fishamble; The Lodger Oper Wuppertal; Do You Come From Gomorrah?; Static; Last Orders at the Dockside; Heartbreak House; The Risen People; Quietly; Perve; No Escape Abbey Theatre; The Last Moth; The Race; Wires, Strings & Other Things; Design It exhibition The Ark; Scorched Earth; Volcano – winner of Irish Times theatre award for best set design Luke Murphy / Attic Productions; Acis and Galatea; Yeoman of the Guard; L’amico Fritz; L’Arlesiana; Così Fan Tutte; Zaza Opera Holland Park London; The
Pull of the Stars; Our New Girl; Medea; Jacques Brel Is Alive and Well and Living In
Paris Gate Theatre Dublin; Morrigan Cork Opera House / John O’Brien; Così Fan
Tutte, Iolanta, L’Enfant et les Sortilèges Royal Academy of Music London;
Midsummer, This Lime Tree Bower Project Arts Centre/Eoin Kilkenny; Thick As
Thieves Clean Break & Theatr Clwyd; The Lion in Winter English Theatre Frankfurt;
Tosca Icelandic Opera; Gulliver’s Travels; Sinners; The Nativity & The Gingerbread
Mix-Up; Mixed Marriage; Pentecost Lyric Belfast – Best Set Design, Irish Times
Theatre Award 2015; The Nest Lyric Belfast/Young Vic; Fabric – Edinburgh Fringe
First Robin Rayner/Marlowe Theatre; Macbeth Iford Arts; The Lighthouse Royal
Opera House; The Night Alive DTF/Lyric Belfast; Be Infants in Evil Druid; It’s A
Family Affair Sherman Cymru; Before It Rains Bristol Old Vic and Sherman Cymru.